This course is irreversible. This action is irreversible. But Zack Snyder was able to. Okay, by now numerous people have seen the much-awaited #SnyderCut. You’re lucky if you have HBO Max. If not, pretty sure you subscribed to HBO Go and experienced problems accessing the app on March 18, the day Justice League 2021 premiered. That was expected so I decided to wait a while. And since the #SnyderCut runs for four hours and two minutes (three hours and 52 minutes on HBO Go) and I was working over the weekend, I took my time to finish the film. Like everyone else, I also have my thoughts on the long-awaited #SnyderCut. But before that let me share my brief thoughts on Justice League (2017). I mentioned in my review that that instalment of the DC Extended Universe (DCEU) has a great story. You know resurrecting Superman and all. We all saw that coming and I am fine with it. Sadly, they failed at the execution probably because of extensive re-shoots. It was uneven making me …
I am not familiar with Alice in Borderland (Imawa no Kuni no Arisu). I only learned about the live-action series when I received a YouTube notification about a new Netflix trailer. And even without checking it, I knew I was going to stream it judging by the title. When the day came, I did a little research and found out it is a Japanese suspense manga series written and illustrated by Haro Aso. Alice in Borderland also has a 3-episode original video animation, and now, we have the live-action series produced by Netflix and directed by Shinsuke Satō. Yes, Shinsuke Satō, the person who directed numerous live-action film adaptations of manga and anime such as The Princess Blade (2001), Gantz (2011), I Am a Hero (2015), Bleach (2018), Inuyashiki (2018), and Kingdom (2019).
Please do not confuse this with the 2013 crime thriller The Call starring Halle Berry. The Call (2020) is a South Korean film starring Park Shin-hye which based on the 2011 British and Puerto Rican film The Caller. The Call (2020) Call (original title) Directed & Written by Chung-Hyun Lee | Horror, Mystery, Thriller Connected by phone in the same home but 20 years apart, a serial killer puts another woman’s past — and life — on the line to change her own fate. THE REVIEW Just a few seconds into the film, I was slowly captivated by the colours. Yes, it is sad and dull. But there is beauty even though it is a sombre colour palette. Besides that, the transitions are fitting as well. From locating the missing smartphone of our lead character, a Galaxy Note 9 (not sponsored) to be exact, the scene slowly and beautifully transitioned to a brain scan.
The animation Drawer Hobs (2011) by Director Kazuchika Kise known for his work on Ghost in the Shell only runs for 24 minutes. But from the moment it started and ended, I can not stop thinking about my life choices. Do not get me wrong. My statement may seem frustrating for some; however, that is not the case.
After loving the musical comedy Lady Maiko (2014), the next film I watched that day was Our 30-Minute Sessions (2020). Just a little context, I usually do not read the synopsis or watch trailers. Well, in this case, maybe I have seen a short presentation during the JFF Plus press briefing. But I did not know which film it was. Having that said, I was continuously surprised by each film, one of which is Our 30-Minute Sessions (2020).